When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion - Julie Satow

Genre: Nonfiction

I am so delighted I was asked to read and review Julie Satow’s When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion. Satow focuses most closely on Hortense Odlum of Bonwit Teller, Dorothy Shaver of Lord & Taylor, and Geraldine Stutz of Henri Bendel. Although very different, these women represent those who were making their way into corporate leadership positions in the world of Department stores and fashion. Through exploring these lives we gain entrance into the fascinating world of 5th Avenue - watching the evolution of the department store and women’s fashion. The era here is one that I love to read about. For me it evoked feelings of PBS’s Mr. Selfridge which was fascinating to me and of The Marvelous Mrs. Maisel - I mean, who wouldn’t want her fashion style and access to those clothes?

I was born when these department stores were considered the pinnacle for shoppers, but by the time I was shopping, these kinds of stores were struggling to maintain their relevance (which I learned from this book). To be clear, I didn’t live near 5th Avenue, nor did we have the economic freedom to shop for designer clothing. But, oh, I remember Brody’s - a department store in a nearby small town. I remember shopping there with my grandmother, who had a bit more spendable money. We would descend into the basement of the store where pop music would be playing and the decor was all silver and lucite. Here was the world of the teen shopper. I can even - pretty accurately - describe some of the clothes I got there. I was a bit entranced. I was entranced in much the same way by the contents of this book. I would love to walk the corridors of one of the early department stores. Satow describes the executives, the shoppers, and the facilities in a way that they come alive. The inclusion of a number of photographs enhance the reading.

Brody’s Department Store Building

The ladies that Satow focuses on are charting new territory. Odlum is a housewife who becomes involved at the urging of her husband who bought Bonwit Teller and wanted to revitalize it. Dorothy and her sister Ellie came to New York City on a whim and stayed. Dorothy worked her way up the ladder at Lord & Taylor. She loved her career and was, of course, excellent at it. In many ways Geraldine Stutz had the most difficult job to revitalize Henri Bendel because of the unique structure and small size of the building. She had to be very creative and her ideas were often the stuff of criticism - right up until the point where she consistently succeeded. These ladies had to fight for respect by working hard for much less money than corporate men were getting. 

I learned a great deal of history as well. This paragraph will read a bit like a list, but I’d love to whet your appetite to read the title.  I didn’t know that the Nazi’s attempted to weaponize women’s hats and fashion. I learned about the circumstances that surrounded the Triangle Shirtwaist Factory fire and the tragic loss of life. For someone who wielded her fashion plates with aplomb, I was also delighted by the history of American fashion as it were - the spying, the thievery, the high stakes copying in Paris. I was unaware of Eleanor Roosevelt’s involvement in its development. Having just visited the Andy Warhol museum for the first time - I was especially interested in reading about his early shoe work for department stores. Other prominent names involved in this era include: Salvador Dali, L. Frank Baum, Amelia Earhart, Jackie Cochran, Christie Brinkley, and Mary Tyler Moore. The history of mannequins and decorated windows are a part of this book. I have vague memories of decorated windows in Pittsburgh department stores.) One mannequin designer often took one of his favorites to social events! I read about the first paper catalog created by Geraldine Stutz to help keep her store relevant. (Evoking for me memories of the yearly arrival of the JCPenney Christmas Catalog) Finally, Satow outlines the advent of the discount department store - Walmart, Kmart, etc. and of course shopping malls are also explored here.  These signaled the demise of the department stores. The fall of these department stores and the change in the careers of these three women are also explored. The loss of actual historical buildings like that of Bonwit Teller was a tragic consequence. 

Satow concludes that the three ladies that she has featured as trailblazing  (2 of whom devoted their entire careers to keeping their stores relevant) would not be overly sad at the demise of the traditional department store. In part because so many other opportunities for women to advance in the corporate world exist now. She also suggests they might be pleased with the democratization of American fashion through avenues like Etsy and social media.I might also add that the current uptick in the appreciation of vintage fashion might be pleasing for the ladies as well. I am new to vintage shopping but am enjoying exploring the clothes from the very eras that this book features. I love having time to create a “fit” that features a vintage piece in what I would consider an updated way. Perhaps now, I can picture myself in the dressing room of one of these upscale department stores just taking it all in. I appreciate Julie Satow’s When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion - excellently researched, well written, informative, and for me memory evoking. Thank you to NetGalley and Doubleday for the Advanced Reader Copy

Book cover When Women Ran Fifth Avenue by Julie Satow

Shelterwood - Lisa Wingate

Genre - Historical & Contemporary Fiction

The kids from Lisa Wingate’s upcoming novel Shelterwood could (probably should) break our hearts. Set in Oklahoma, Wingate maintains two timelines. In 1909 Olive and Nessa are on the run from the man who has drugged their mother and molested their sister. Olive will demand a different life moving forward - if she can just get back to her childhood home in the mountains. The struggle to stay ahead of the evil ones, to earn money, to eat - banding with other lost kids and trying to survive is suspensefully portrayed. In 1990, park ranger Valerie Borden-Odell is assigned to the same Oklahoma wilderness. She is contending with a devastating burial site with three sets of bones, a missing teenage boy and his missing grandmother, and a mystery in the woods that is endangering her officers. The presence of Kate Barnard, Oklahoma’s first elected female official - Oklahoma Commissioner of Charities and Corrections -  looms large in life in 1909 and in spirit in 1990. She worked for the children - pushing for child labor laws and for the property rights of native children and more. I have been reading of the lives of historical women lately who have often been overlooked. This book fits right in. 

Wingate expertly weaves these two stories together using alternating chapters throughout the novel. Each chapter leaves us with a question to take to the next - so well done. The whole time I read, I was trying to make the right connections. The parallel elements are simultaneously delightful and devastating. In each timeline older women are working against very difficult odds to protect younger kids. The title Shelterwood echoes this motif in such a lovely way as they are described as older, taller trees who protect younger ones. Again and again the idea of the older generations working to protect the younger ones - and most often women - surface. Valerie thanks her mother and grandmothers for their influence in one beautiful passage.  One of the main characters from 1909 who is an elderly woman in 1990 speaks of the dreams of children and how those dreams thrived in the shadows of the trees and were fulfilled  in spite of all of the opposition. The timelines are united, and the throughline here is just so beautiful.

As so often happens these days, I am left wondering if I am doing enough in the world - to leave it better than I found it. Wingate raises so many issues - the treatment of indigenous people in our country, the treatment of orphans in general, the treatment of women, the flaws in the foster system, the need to preserve nature, trees, our environment from greed without being didactic. While we see improvements from 1909 to 1990, we can also see how much work is left to be done. Most will agree that much work remains in 2024. I have more time than many to figure out how to contribute to that work. I also like the starting over motifs. Olive is starting over again - a child responsible for other children. Again and again she is betrayed by adults in her world, but she forges ahead because she must. Valerie is starting over - really for the second time in her new job and as a single parent - who wants her son to grow up with the freedom to be exactly who he is. Time and again she could make choices to make her life easier. She doesn’t do so. She chooses the freedom to be herself. These women are strong. I have worked to be so; as time marches forward, and as I’m starting over a bit, may I continue. Thank you to NetGalley and Penguin Random House for sharing the ARC in exchange for an honest review.

Book cover of Shelterwood by Lisa Wingate





The Museum of Lost Quilts - Jennifer Chiaverini

Genre: Contemporary Fiction

For me, reading The Museum of Lost Quilts by Jennifer Chiaverini was like coming home. Sometimes you don’t fully understand the people you’ve missed until you come in contact with them again. And then, sigh, it’s just so comforting. Chiaverini puts a note at the end that she had to change some of the futures for our favorite characters she had previously written in  the novel she intended to be the last of The Elm Creek Quilters series. Let me raise my hand just to say that I don’t mind! Summer makes a surprising trip home to Elm Creek when she finds herself unable to complete her thesis and her masters degree. She is hoping that home and the people she loves will help her to complete the job. She quickly becomes involved in her familiar world (as does this reader 😀). She leads yoga, accepts  the position of curator for a display of historical quilts - and through her research revisits one of her favorite places, the university library. She is even battling the bad guy - Gregory Krolich and his Universal Realty in an effort to preserve the historical Union Hall. 

The characters of Elm Creek are old friends to me, I am delighted to meet up with them again. As with most friends, I was quickly back into the rhythm and remembering the individual characteristics of each and eager to hear what was new in their lives. In so many ways, Summer spoke to me this time, so I was happy to see her featured. (More later.) Chiaverini does such a good job of creating conflict and suspense in a genre that is not a thriller or even a straight up mystery. She relates directly to those of us living in communities we love and trying to do what we can to improve them. She is also excellent with infusing history into this work. Learning about the civil war has always been interesting to me and the plot points that explore the quilts of his era and their historical impact is fascinating. 

So, Summer spoke to me. I guess I am currently drawn to characters who are conflicted about the direction their lives should go. She was very committed to a path and is no longer sure that the path is right for her. Her instincts send her home to the people she has loved and trusted her whole life to try and figure things out. They give her a soft place to land, but challenge her to challenge herself.  I am blessed with friends and family who will do that for me. I am slow to make decisions and very quick to second guess them. I am grateful for the support I receive in those processes. Also, I am a retired librarian who has longed to be a museum curator. How can I not love that part of Summer’s journey? Librarians matter. Artifacts matter. History matters. Community matters. Family matters. Tradition matters.  In The Museum of Lost Quilts, Jennifer Chiaverini illustrates these and much more. Welcome back to Elm Creek. 

The Museum of Lost Quilts by Jennifer Chiaverini Book Cover

Spitting Gold - Carmella Lowkis

Genre - Historical Fiction, Gothic

I have long been drawn to a good Gothic tale. YA wasn’t nearly as well developed a genre when I was a YA - so I read adult works when very young. I cleared the Victoria Holt shelf at my little public library and enjoyed them thoroughly.  Spitting Gold by Carmella Lowkis evoked that feeling in me. I also love that the book is about sisters. Sylvie and Charlotte grew up in a rather unconventional home in 19th century Paris. In it, they learned to become very effective false mediums. Together with their mother, they defrauded a fair amount of people - pretending to contact the spirits “haunting” them for one reason or another. After their mother passes away, the sisters’ lives become very difficult as their father resorts to drunkenness and abuse. As a young woman, Sylvie marries Baron Alexandre Devereux - in part out of love, in part to save her sister from jail from a job that went bad. To do so, she must cut all ties with her family. Charlotte feels deserted, left alone with their father. Both are extremely frustrated and angry with each other. Years pass, and one day Charlotte shows up and asks for one more performance. 

The setting here is particularly divine. Lowkis recreates so well (at least based on my reading and movie watching experience) the culture of the era: particularly the restrictions faced by young women and the lgbtq+ community. Also, dances and duels abound. I have read a fair amount about the medium/fraud/spirit situation of the times and was pleased with how Lowkis illustrated it here. For a while I was wondering if a real spirit might appear, an excellent plot wrinkle. The struggle based on miscommunication and misunderstanding between the sisters is fascinating. I can relate so well to the older sister, and I imagine my sister could relate equally well to the younger. Their love for each other shows in spite of the very real frustrations. A well developed cast of characters: surround the sisters. Through them the illustration of the culture of Paris is strengthened. The layering is lovely in terms of how the themes are developed in a variety of ways among these characters. Several times I thought things were resolving, and then Lowkis creates a new twist - sustaining suspense throughout. Without spoilers, the uncertainty of the ending seems perfectly on point. The use of a child’s fairy tale to frame the action and provide for the title was a lovely literary touch.

I am struggling a bit about where to focus my third paragraph energy. I suppose at the end of the day as a person who is struggling a bit to create a new kind of life with a different direction than that to which I’m accustomed, Lowkis is clearly a reminder that change is always possible - not always easy - but possible. I love the example that both Sylvie and Charlotte set in their commitments to their goals, but who are ultimately willing to admit mistakes and keep trying in new directions as needed. A problem for me is, perhaps, the lack of a clear goal. I always knew that was a retirement issue for me. But I am finding delight in trying a variety of different kinds of things. Teaching never allowed for much time for other endeavors - even at home (ask my kids). And that thought takes me to the memories evoked for me of my young reading life in this title. I very much enjoyed the kind of timeless feel of this debut title. I am grateful to Carmela Lowkis’ Spitting Gold for reminding me how long I have loved to read gothic work! Thanks to NetGalley and Simon and Schuster for an advanced reading copy in exchange for an honest review.





Finlay Donovan Rolls the Dice - Elle Cosimano

Genre - Contemporary Fiction, Mystery, Suspense, Humor

If something exists that is more entertaining than Finlay Donovan, I sure can’t think of  it right now. I am quite grateful to the friend who introduced her to me. I just finished Finlay Donovan Rolls the Dice (Book 4) by Elle Cosimano. Finlay is dropped in Atlantic City; what a delightful pairing. As she and Vero work to secure the money needed to protect Vero, to find and protect Javi, to clear their debt with Felix, to out the police mole - they have some good old fashioned Atlantic City adventures. I love that Finlay’s mom travels with them, that Steven gets a taste of real parenting, and of course that Nick shows up. Angela Dawe’s narration voices each character precisely and brings Finlay’s world alive. 

Atlantic City provides a delightful setting that Cosimano uses to its best advantage - she really shines here and so do Finlay and Vero. The changes in setting in the series keep the content fresh and new. The hotel where Finlay and company are staying is smarmy Atlantic City at its finest. The luxury hotel where Marco “holds (held?) court” contrasts nicely. We can see in Cam’s behavior there what a treat it can be to live large in a gambling city. I am - as always - stunned at the appearance of a corpse and the lengths at which Finlay and Vero will go to protect themselves while they try to get to the bottom of a mystery. I laughed out loud at the stairwell scene. The time spent in Chubbies (which was NOT a diner) - also quite hilarious. The plot unfolds through these adventures, and Finlay is always paying attention. The character development also continues to delight. Part of the charm of this series is that we learn a bit more about the main characters in each new book. Vero seems to get some extra attention this time. The new characters and those that are more peripheral are characters to be sure. Cosimano balances charm and satire well in the extended cast. Even a dog gets a significant amount of attention in this title. 

I am thankful for Elle Cosimano’s Finlay Donovan series. Finlay’s world is one of which I will never be a part, but what a fun place to visit. I thought when I was young that I could probably be Nancy Drew. I was curious; I paid attention - I knew I could solve mysteries for sure. I was shaped in part by my reading of her. As a librarian, the biggest mystery I solved was finding that book with a girl on the cover, you know, the red one. The biggest criminals I dealt with loved reading so much that they snuck books out of my library. I am not so much a Nancy Drew. Finlay gives me a chance to live in the world of mystery and suspense a bit vicariously again. Her stakes are considerably higher than I remember Nancy’s being, but we are in her adult world now. I appreciate the laughter at the hi jinks that ensue along with the suspension of disbelief for some glorious reading minutes. I am glad that the ending suggests that more of Finlay Donovan is on the way.  I’ll be reading! Thanks to NetGalley for an advanced copy of the audiobook in exchange for an honest review.